Romanticism Exhibition
“The mysterious path leads within”
Wackenroder and Tieck in the Harz Mountains (1794)
Wackenroder and Tieck elevate art to a religion (1797)
Ludwig Tieck writes a folk tale (1797)
Novalis proclaims the poetic state (1798)
The Schlegels cause a sensation (1798)
Novalis has a dream (1800)
Karoline von Günderrode receives a letter (1802)
Who? When? Where? — An interactive map of Romanticism
Clemens Brentano and Achim von Arnim on the Rhine (1802)
Sophie Mereau-Brentano writes a poem about her husband’s portrait (1803)
Karoline von Günderrode writes about love and death (1805/1806)
Philipp Otto Runge plans a Romantic synthesis of the arts (1805)
Friedrich Schlegel presents a universe of knowledge (1802/1803)
Achim von Arnim and Clemens Brentano collect folk songs (1805-1808)
Peter Cornelius draws Goethe’s “Faust” (1808)
Philipp Otto Runge’s theory of colour harmony for painters (1810)
Clemens Brentano and Achim von Arnim visit an exhibition (1810)
Johann Wilhelm Ritter works with electricity and light (1797-1810)
E. T. A. Hoffmann declares Beethoven a Romantic (1810)
Jacob and Wilhelm Grimm collect fairy tales (1812)
Poetic mobilization (1813)
“The world must be romanticized”
August Wilhelm Schlegel and Madame de Staël spread the Romantic idea (1813-1817)
Adelbert von Chamisso tells a wondrous story (1814/24)
Friedrich Schleiermacher reflects on methods of translation (1816)
Clemens Brentano records the visions of a stigmatic nun (1818-1824)
Cologne Cathedral becomes a Romantic building project (1823-1832)
E.T.A. Hoffmann’s Frankfurt fairy tale Master Flea (1822)
Joseph von Eichendorff sends a good-for-nothing on a journey (1822)
Frankenstein and the vampire (1831/32)
Memories of Rahel Varnhagen (1834/35)
Joseph von Eichendorff at work (1835)
Wilhelm Müller and Franz Schubert send a lover across ice and snow (1823/24)
Bettine von Arnim and her daughters challenge Friedrich Wilhelm IV (1840/44)
Ludwig Tieck tells a Romantic love story (1837)
Robert Schumann sets Goethe’s Faust to music
Romanticism – no end in sight? (1859)